Man leunend op een wijnvat met een tros druiven in zijn hand by Célestin Nanteuil

Man leunend op een wijnvat met een tros druiven in zijn hand 1823 - 1873

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engraving

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portrait

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old engraving style

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personal sketchbook

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romanticism

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genre-painting

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history-painting

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engraving

Dimensions: height 360 mm, width 275 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving titled "Man leaning on a wine barrel with a bunch of grapes in his hand", created sometime between 1823 and 1873 by Célestin Nanteuil. Editor: The image evokes such warmth, doesn’t it? He looks rather pleased with himself and that impressive bunch of grapes. Like a character lifted straight from a mischievous tale. Curator: Indeed. Nanteuil’s artistic practice involved a range of techniques, including illustration, lithography, and etching. The fact this is an engraving raises important questions about the work involved in production. How might his access to materials and techniques impact its accessibility and value, especially back then? Editor: Absolutely, thinking about the process enhances my appreciation. It’s easy to forget the sheer labor that went into these kinds of detailed works. Looking at it, it almost breathes with the essence of a grand story, and the details feel so intimate like peering into the artist’s private reflections, or a quirky vignette pulled from life. Curator: It reflects an engagement with themes common during the Romantic period. Consider the context of 19th-century print culture; these engravings could have circulated widely, bringing art and stories to a broader audience beyond traditional paintings and sculptures. This invites the viewer to reflect on issues such as accessibility and democratisation of art during that era. Editor: I love how it merges genres; it could be a portrait, yet it's alive with narrative and the feel of history, distilled onto a single plate. One can almost smell the musty aroma of the wine barrel and the ripe sweetness of those grapes. There's something utterly compelling in its simplicity. Curator: Considering his possible ties to romanticism helps contextualise the artwork within broader aesthetic trends of its time. Examining the work through that particular lens may enrich our perspective. Editor: So well put, I must agree. It’s incredible to think about all the hidden connections and social interactions, bound up in the artist's handwork. The picture is really just inviting everyone to have a share in this historical moment with some wine!

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