The Bannister by Will Barnet

The Bannister 1981

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painting, print, watercolor

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portrait

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painting

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print

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figuration

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watercolor

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line

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modernism

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watercolor

Dimensions: image: 82.5 x 64.2 cm (32 1/2 x 25 1/4 in.) sheet: 93.8 x 68.8 cm (36 15/16 x 27 1/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Let’s turn our attention now to Will Barnet's 1981 watercolor and print titled "The Bannister". Editor: A very quiet piece, wouldn't you say? Muted tones, very rectilinear composition broken up by the organic shapes of the girl and the cat. There's a stillness that's almost unnerving. Curator: Barnet was deeply interested in exploring themes of domesticity and quiet contemplation in his art, often featuring women and animals in serene, almost timeless settings. Editor: The palette certainly reinforces that feeling, doesn't it? Those earth tones feel simultaneously modern and like a nod to much older traditions of interior portraiture. The bannister itself creates a very interesting foreground; it feels like we're observing the scene from a specific point, almost like peeking in on a private moment. Curator: This sense of quiet observation ties into Barnet's broader commentary on modern life and the search for inner peace amid external chaos. His subjects were often shown in states of reflection, as if removed from the concerns of the everyday world. His interest in depicting the “everyday” had some traction in social realist circles and portraiture as well. Editor: I am just drawn to the very obvious and yet unsettlingly positioned objects. The black cat, a dark solid figure, is positioned far from the black railing behind which is hiding this very subdued girl in profile. There is definitely a semiotic complexity here between color, form, and their meaning in modern society. Curator: Absolutely. This print showcases Barnet's remarkable ability to distill complex emotions into simplified forms and understated narratives. “The Bannister” then, offers viewers a moment of reflection. What do you make of that compositional decision now? Editor: In terms of semiotic components, the emotional charge definitely lingers beyond any reading into 20th-century life and artistic tradition. It’s haunting, in a good way. Curator: A fitting encapsulation of a painter and printmaker so thoroughly attuned to his craft and its impact on those who look closely.

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