daguerreotype, photography
portrait
daguerreotype
photography
romanticism
realism
This portrait of William Etty, Royal Academician, was made using the calotype process between 1843 and 1848 by the Scottish duo Hill and Adamson. Taken in Scotland, this photograph captures the English painter Etty at work. The calotype, an early photographic process, was cheaper and quicker than other forms of portraiture, challenging the elitism of painted portraiture by opening up new avenues for representation. Hill and Adamson aimed to elevate photography to the status of high art, by photographing notable figures such as Etty. William Etty was known for his history paintings, particularly nudes, reflecting the influence of the Royal Academy. The Royal Academy played a huge role in shaping the art world of Britain and the work that was produced at this time. By considering the context of this photograph and the history of the sitter and photographers we can better understand the social and cultural values of 19th century Britain.
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