Rokende man by Adalbertus Engelsmet

Rokende man 1802 - 1872

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print, etching

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portrait

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print

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etching

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figuration

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genre-painting

Dimensions: height 110 mm, width 96 mm

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at “Rokende man,” or "Smoking Man," an etching by Adalbertus Engelsmet from the 19th century. I’m struck by the mundane scene; the everyday nature of these figures seems so...ordinary. What do you see in this piece? Curator: The work offers a glimpse into the social fabric of the time, doesn't it? Consider how smoking, often a gendered practice, might have symbolized leisure and perhaps even resistance for some, especially within the context of class distinctions. The presence of the woman – is she offering something, or demanding? What power dynamic do you perceive here? Editor: I hadn’t really considered that. I guess I saw her as… accommodating? Maybe subservient, even. Curator: Right, and questioning that automatic assumption is precisely where the analysis begins. Where is her gaze directed? Does her posture convey agency, or does it reflect societal constraints placed upon her gender? Think about how genre painting frequently served to either reinforce or subtly critique those power dynamics. What does this image say about the roles of women in Dutch society? Editor: I see your point. Maybe it's not just a simple scene, but a comment on gender and class. I hadn't thought of the implications of smoking as a symbol of leisure, too. It definitely reframes my understanding of it. Curator: Exactly. By questioning these seemingly ‘ordinary’ representations, we can unpack a whole range of social and political narratives embedded within them. We might explore how the print medium itself democratized art, allowing broader audiences access to potentially subversive imagery. It prompts us to confront how art constantly shapes our understanding of the world around us, even today. Editor: This really highlights how important it is to analyze even simple scenes for deeper meanings and challenge my assumptions about the subjects and the artist. Thank you!

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