Zondeval by Anonymous

Zondeval after 1550

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print, engraving

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print

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figuration

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history-painting

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northern-renaissance

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nude

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engraving

Dimensions height 348 mm, width 250 mm

This print depicts the Fall of Man, presenting Adam and Eve in the moments before their transgression. Note the presence of the serpent, coiled around the tree of knowledge, offering the fateful apple. Above, a skull peers down, a stark memento mori. These symbols resonate deeply, evoking themes of temptation, sin, and mortality. The serpent, a symbol of cunning and deception, appears in various guises throughout history, from ancient Mesopotamian art to Greek mythology, embodying primal fears and desires. It reflects our collective fascination with the darker aspects of human nature. The fruit, too, holds potent significance, promising knowledge but delivering expulsion and self-awareness. It touches something profound within us, a reminder of lost innocence. Just as the serpent evolves from a symbol of healing in antiquity to one of temptation, such symbols constantly shift, shaped by cultural and historical contexts. Their continued presence in art speaks to their enduring power over the human psyche.

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