Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La Prudence et la Force" door Victor Edmond Leharivel-Durocher by Edouard Baldus

Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "La Prudence et la Force" door Victor Edmond Leharivel-Durocher c. 1855 - 1857

0:00
0:00

print, photography, sculpture

# 

portrait

# 

neoclacissism

# 

print

# 

photography

# 

sculpture

# 

history-painting

Dimensions height 382 mm, width 560 mm

Curator: This is a photographic print of plaster models intended for sculptures at the Palais du Louvre. Edouard Baldus captured Victor Edmond Leharivel-Durocher's "La Prudence et la Force" sometime between 1855 and 1857. It's currently held at the Rijksmuseum. Editor: You know, there's something quietly powerful about this image. The grayscale and sharp lines give a certain heft to something that started out as... nothing. Airy nothings spun from creative imagination... Curator: Indeed. The photographic print offers a stark contrast and highlights the neoclassical composition. Observe the balanced symmetry and the allegorical figures representing Prudence and Strength. They flank what seems like an oculus, doesn’t it? Editor: I keep thinking... that oculus must be the doorway of the Louvre through which history stares at you. So very architectural. Everything in measured and perfect. If those statues could only talk about all the historical hubbub. Curator: Precisely, we witness how history painting merges with the neoclassical ideals prevalent at the time. There is a controlled grandeur achieved by means of line and form. This representation solidifies philosophical ideals—strength balanced by cautious deliberation. It represents an idealized power structure of French Neoclassicism. Editor: All the precision reminds me a bit of cool marble hallways, maybe a bit too imposing at first, and I like the softened quality from it being an photograph of it! Adds to the image. Maybe that oculus sees not just grand achievements but intimate stories. After all, even those who hold power have their silent moments and reflectiveness. Curator: Ultimately, what Baldus delivers us, and offers future viewers, is a documentation of idealized sculpture translated through early photography. The result is a striking combination. Editor: Makes you imagine those Louvre walls weren’t just built from stone and ambition, but little breaths of doubt, laughter, whispers... captured forever and put on pause like this. Thanks for that Baldus and crew.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.