Monkey 1727 - 1745

This captivating porcelain monkey was crafted at the Meissen Manufactory. Here, the monkey, perched amidst an idyllic setting of flowers, embodies a complex symbol, historically seen as a caricature of human folly, vanity, and mimicry. The motif of the monkey, a "singerie," wasn’t new; we observe its traces in medieval art as an allegory for human baseness and the ridiculous, in contrast to reason. But it resurfaces with renewed vigour during the Enlightenment, often used in satirical contexts to mock social customs, echoing in paintings, prints, and now, porcelain figurines. The simian figure, once a symbol of vice, undergoes a metamorphosis, embodying critique and humour, prompting viewers to question the absurdity of human behavior. In this context, the emotional power of the figurine lies in its ability to engage viewers in a moment of self-reflection. It serves as a mirror reflecting humanity’s flaws and vanities. The Monkey motif's enduring appeal reveals the cyclical nature of symbols and iconography, constantly evolving in response to cultural shifts and societal values.