The Blacksmith Chooses Ye Raven and Runs Away With It, for "The Wonder Clock" 1887

Howard Pyle made this illustration for “The Wonder Clock” using ink on paper, a traditional medium for storytelling. The stark black and white contrasts, achieved through meticulous lines, bring a dramatic intensity to the scene. The illustration's power lies in the way the ink is used to create texture and depth. Look at the blacksmith’s clothing. The varied linework suggests the weight and wear of his garments. In contrast, the fantastical raven is densely filled in, giving it a mysterious quality. Pyle's engagement with such processes speaks to the value of craftsmanship and the ability to create compelling narratives through simple means. What might a blacksmith have to do with a raven? It seems that he has stolen the bird, and is now making a run for it. The artist knew that his audience would naturally take the blacksmith's side, for who could blame a humble worker for taking what he could get? We're drawn to the idea of common folk appropriating that which they are denied.