Nieuwe stem 1902

Curator: Let’s turn our attention to “Nieuwe Stem” or "New Voice," a print by Yūki Somei, dating back to 1902. It is held here at the Rijksmuseum. Editor: Ah, the blues, reds, and creams sing on the page! It whispers Art Nouveau to me but with a haunting quietness…like a forgotten dream gently insisting to be remembered. What’s it all about, in context? Curator: Precisely! It is a fascinating convergence. The print is demonstrative of Japonisme’s influence on Western Art Nouveau. Somei expertly fuses Western aesthetics with traditional Japanese printmaking techniques, particularly visible in his bold use of line and flat color. Editor: That face… so melancholic and compelling. She seems lost somehow, even as the swirls and flowers attempt to cheer her up. What’s she holding – is that a book or a fan? Curator: Indeed, the symbolism of the book adds another layer. We need to remember the original audience of this artwork and that this was originally the cover art for a journal that advocated freedom of speech in Japan at the time, an advocacy that was fairly brave. Editor: It’s striking how he merges the serene face with those strong graphic elements; it feels both delicate and daring. You're right; it creates this silent rebellion mood that grabs me! The tension! Curator: The pose too, her face looking downwards... But the work does make you think about how art could encourage thought and debate, even within what may have seemed more decorative fields. Editor: Totally. This quiet little thing pulses with a secret. I love that art can pack that kind of punch without shouting. Thank you! Curator: My pleasure. It is a rather exceptional image, especially once we consider that historical milieu.