photography, gelatin-silver-print
portrait
photography
gelatin-silver-print
realism
Dimensions: height 93 mm, width 56 mm, height 96 mm, width 58 mm
Copyright: Rijks Museum: Open Domain
This is Maurits Verveer's self-portrait, made using photography, a relatively new medium in the 19th century. The albumen print process was complex, involving coating paper with egg whites and silver nitrate to create a light-sensitive surface. Photography democratized portraiture. Before, only the wealthy could afford painted portraits, but now, the burgeoning middle class could capture their likeness. The materiality of the photograph itself speaks volumes. The sepia tone, the slight blur, and the texture of the paper all contribute to a sense of nostalgia. Verveer presents himself with a certain formality, his hand resting casually on a chair, his attire suggesting middle-class respectability. This portrait, like all photographs, is the result of a chemical process, but it's also a product of social and economic forces. It speaks to the rise of consumer culture and the desire for self-representation. It reminds us that even the most seemingly straightforward images are imbued with layers of meaning, waiting to be decoded.
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