Boerderij tussen de bomen 1888 - 1889

Alexander Shilling made this sketch of a farm between trees using graphite on paper. The softness of the graphite allows for quick, sweeping marks that define the forms of the landscape. Notice how the artist uses varied pressure to create depth and shadow, the darker lines bringing the trees and buildings forward, while lighter strokes suggest distance and atmosphere. This technique relies on the subtle interplay of light and shadow, emphasizing the material qualities of the graphite and paper, transforming them into a fleeting impression of a rural scene. Shilling’s process, rooted in direct observation and the immediacy of drawing, reflects a connection to the natural world. This sketchbook approach bypasses the labor and complex production of larger, more formal artworks, instead valuing the artist's intimate engagement with his environment. By focusing on the humble materials and the artist's hand, we gain a deeper appreciation for the artwork as a record of Shilling's personal experience and creative vision. This challenges the traditional art historical emphasis on grand narratives, inviting us to consider the value of everyday making.