Copyright: Rijks Museum: Open Domain
Here's a drawing of a reclining nude made with pencil on paper by Isaac Israels. What strikes me is the urgency, the speed of it. It’s like Israels is trying to capture a fleeting impression, a moment of repose. The lines are raw and immediate. They remind me of Matisse, always seeking that perfect balance between capturing form and embracing the inherent flatness of the picture plane. The texture of the paper adds another layer, the tooth of it grabbing the graphite and creating a subtle variation in tone. Look at the way he renders the face with just a few scribbled lines, capturing the tilt of the head, the shadow across the eyes. It’s more felt than seen. You know, there’s a real conversation happening here, a dialogue between the artist, the model, and the very act of drawing. It reminds me that art is never really finished, just abandoned at a certain point.
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