Untitled (Industrial Waterfront Scene) c. 1930s

Theodore Diedrickson made this industrial waterfront scene, with a drypoint print on paper. The whole thing has this kind of sepia wash over it, like an old photograph, and Diedrickson's scratchy lines work to build up the image in a really lovely way. I really enjoy how the cranes loom in the background, but it's the water in the foreground that really grabs me. The artist uses thin, wiry lines to create the rippling surface, capturing its movement and reflection. It's almost like the whole industrial scene is dissolving into this watery dream. I can't help but think of James McNeill Whistler's etchings, especially his nocturnes of the Thames. Both artists share a fascination with capturing the atmospheric effects of industrial landscapes, but Diedrickson brings his own unique touch. Art is just a big conversation, right? Each artist adding their voice to the mix, playing with ideas, and seeing where they lead.