Conferva Linum by Anna Atkins

Conferva Linum c. 1843 - 1853

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print, cyanotype, photography

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print

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cyanotype

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photography

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coloured pencil

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line

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sketchbook drawing

Dimensions: height 250 mm, width 200 mm

Copyright: Rijks Museum: Open Domain

Editor: This cyanotype print, "Conferva Linum" by Anna Atkins, created between 1843 and 1853, presents this ethereal tangle of white lines against a saturated blue background. I find it striking how a scientific study evokes such a strong sense of delicate beauty. What symbolic weight do you see in the decision to use photography as documentation? Curator: Ah, yes, the convergence of science and art. Look at the cyanotype itself; the deep Prussian blue evokes the vastness of the sea, hinting at unseen depths and mysteries. In this context, photography acts not just as a scientific tool but as an interpreter of the natural world, imbued with the memory of creation and the symbolism of light itself, recording not only the presence but also a sense of the subject. Does the choice of such stark lines over, say, broader strokes make you think of anything? Editor: That’s interesting! I see what you mean about the 'recording.' The sharp lines make me think of capturing the immediate, factual characteristics of the plant, not just its visual appearance. How does the "immediacy" through photograph work for art as a tool for memory? Curator: The photographic image captures a specific moment and possesses indexicality that is crucial to its function as a tool for memory. What that image references is immediately imprinted on the mind through its physical presence as if carrying the weight of history, bearing a psychological impact through repeated exposure across different eras. Do you feel there’s an emotional impact too? Editor: Absolutely. This image has certainly resonated with me on a deeply emotional level, beyond its scientific merit, it’s like a beautiful ghost from a very long time ago, that seems to be still there, today. Thank you for providing insight into the image and the cultural contexts associated with Conferva Linum. Curator: My pleasure. Seeing old objects in this way reminds me how we construct stories from both tangible and intangible traces. I now appreciate the weight and the purpose photography carries, capturing images and bearing time in unique ways!

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