Cocotte on the Street by Ernst Ludwig Kirchner

Cocotte on the Street 1915

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drawing, print

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drawing

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street-art

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print

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german-expressionism

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expressionism

Copyright: Public Domain

This is Ernst Ludwig Kirchner’s “Cocotte on the Street,” a print of unknown date currently held at the Städel Museum. Kirchner, a member of the German Expressionist group Die Brücke, captured the alienation and psychological intensity of urban life in pre-war Germany. Here, we see a figure identified as a ‘cocotte,’ or prostitute, rendered in bold colors. The garish red hat and dress signal a transgressive sexuality. The distorted features and melancholic gaze evoke a sense of unease and emotional vulnerability. Kirchner doesn't shy away from representing the female figure as complex and self-aware. The presence of the church in the background adds another layer of complexity. Is it a reminder of societal judgment, or does it hint at a longing for redemption? “Cocotte on the Street” serves as a window into the historical context of early 20th-century urban life. It prompts us to reflect on the representation of women, class disparities, and the complex relationship between individual emotions and societal structures.

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stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

In front of the Kaiser Wilhelm Memorial Church in Berlin, a cocotte with an umbrella comes straight towards the viewer as in a film close-up. In its technical and compositional interlocking of form and colour, this colour woodcut from two blocks anticipates the woodcut series on “Peter Schlemihl” (inv. no. 65603-65610). The three variations of the Städel Museum bear witness to Kirchner’s experimental handling of the printing technique. Whereas the print made from the block with the fundamental elements of the drawing (the so-called drawing block) can stand its ground as a composition in its own right (inv. no. SG 4372), the example solely in black from the block actually cut for the coloured areas (the colour block) has the appearance of a photo negative (inv. no. SG 4373). In the third example (inv. no. 65598), the artist first printed the drawing block in black, and then, over it, pale impressions of the colour block and the drawing block inked partially in monotype manner.

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