Dimensions: height 89.5 cm, width 71.5 cm
Copyright: Rijks Museum: Open Domain
Abraham Mignon created "The Overturned Bouquet," an oil on canvas, at an unknown date. The painting presents a dark scene punctuated by a riot of color from the upturned flowers. Notice how Mignon uses light to draw our eyes through this tumbling display, as our gaze travels up and around the composition of the floral arrangement. The cat in the painting introduces a vibrant interplay between order and disorder, beauty and decay. Consider how the formal arrangement of the flowers suggests a classical harmony, while the tipped vase and hissing cat inject a dose of dynamic instability. The work destabilizes the serene perfection often associated with floral still lifes, challenging the viewer’s expectations. "The Overturned Bouquet" is not just a static image. It embodies a tension between opposing forces. Mignon uses these elements to invite us to reflect on the transient nature of beauty and the disruption of established orders.
The ultimate challenge facing a 17th-century still-life painter was to render various materials in a convincing fashion. Everything had to appear real: a contemporary aptly coined this as ‘semblance without being’. Abraham Mignon was a master of such seeming realism. In this still life the cat playing with a mousetrap has upset a vase of flowers. Amongst the tulips, irises, poppies, and peonies can be discerned ants, spiders, caterpillars, and snails.
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