drawing, print, woodcut
drawing
german-expressionism
figuration
pen-ink sketch
expressionism
woodcut
line
sketchbook drawing
nude
This is Ernst Ludwig Kirchner's 'Woman Bathing by the Oven'. It's a print, so Kirchner would have been working with chisels and gouges to carve into a block, inking it, and then pressing it onto paper. I can imagine him wrestling with the woodblock, scraping away at it, trying to find the right balance between light and dark. It’s all angular and intense, the red figure almost floating against the black, which is full of weird little details, like the cat. You can see Kirchner trying to make sense of the world around him, grappling with the gritty realities of urban life. The marks feel urgent, as if he's trying to capture a fleeting moment, a raw emotion. The awkwardness of the pose, the scratchy lines—it's all part of the language. It’s Expressionism, after all. Like Munch and those guys, Kirchner's not just showing us what he sees, but how he feels. These prints are like a diary entry, a window into his psyche.
Comments
Developed in fine lines and cross-hatchings, this woodcut still exhibits the detailed draughtsmanship of the intense portraits Kirchner executed of Ludwig Schames (Städel Museum, inv. no. 65612) and others during his stay in the sanatorium in Kreuzlingen. The copy from the Hagemann Collection is the only known version in colour. It was printed from a sawn-up block in black and caput mortuum (Latin for “dead head”), a brownish red iron oxide pigment.
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