The Strand (center panel) by Keith Allen Crown

The Strand (center panel) 1948

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drawing, print, graphite

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drawing

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print

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graphite

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cityscape

Dimensions Image: 305 x 430 mm Sheet: 341 x 431 mm

Curator: Today we’re looking at Keith Allen Crown's "The Strand (center panel)," a 1948 print crafted with graphite. Editor: Oh, immediately I’m feeling a sense of stagecraft, almost theatrical. The buildings are these looming facades, lit starkly from…somewhere. Is it dawn? Or something more sinister? Curator: It's interesting you pick up on that stage-like quality. These somewhat crude structures echo classical facades and invite thoughts about impermanence. Consider the material. The softness of the graphite lends a dreamlike vulnerability. It almost feels like a fleeting memory, doesn't it? Editor: Absolutely. And that's contrasted so interestingly by the sharpness of the angles of the buildings, the lines of the sidewalk...It is like trying to grasp a fading moment, attempting to box up an ethereal impression into concrete shapes, with only moderate success. Look, those darks are quite powerful, making me feel like someone’s playing hide and seek. Curator: That potent contrast definitely heightens the tension, doesn’t it? There's also a noticeable absence, isn’t there? We see two figures at left, but everything suggests absence and the looming darks suggests existential dread and postwar anxiety. The image reminds me of alienation in modern urban spaces. Editor: Alienation—yes! They appear separate from the architecture. Perhaps they have also been thrust onto the stage against their wills? Trapped in this drama...but playing an oblivious duet together while Rome is burning nearby... Curator: A loaded reading! But what else could the artist imply with the location? And the figures themselves suggest an entire drama! They underscore the overarching theme and suggest an internal world clashing with the one the artist sees every day... Editor: Right. It makes you wonder about the artist's state of mind. If this "Strand" has that quality, what lurks elsewhere in Crown's oeuvre? Curator: Indeed. So much history, cultural anxiety, and personal expression folded into one haunting graphite drawing! It is just marvelous.

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