Head from an image of the Buddha 11th-12th century

Editor: So, this is “Head from an image of the Buddha,” made sometime in the 11th or 12th century, location, Minneapolis Institute of Art, the artist is unknown and made of sculpture. Immediately, I’m drawn in by the serenity radiating from this weathered face. There’s a real sense of peace and contemplation here. What are your first impressions, looking at it? Curator: Oh, "weathered" is absolutely the right word, I feel that. To me, this piece feels almost like uncovering an ancient truth, doesn't it? It’s more than just stone, it is almost like a echo, resonating from a distant time. See how the half-closed eyes invite you inward, rather than focusing on the outside world? I can almost feel the artist channeling something profound, beyond their own time. I am struck that despite being damaged it communicates wisdom. Editor: It really does! It’s interesting you point out the inward gaze. It makes me think about the artist's intention, right? Like, what were they hoping to communicate? Curator: Exactly! It feels intentional, doesn't it? These kinds of images of the Buddha often encourage stillness. Perhaps the artist sought to create a work that promoted inner peace and connection to an eternal reality. The lack of precise dating even enhances the mystery; doesn’t it add to its feeling of being from no time and every time? Editor: That’s such a cool way to think about it. It almost invites the viewer to lose themselves in contemplation alongside the Buddha. It really humanizes what I typically imagine about older art. Curator: Couldn’t agree more! Editor: Thanks for sharing your insight, It helped so much.