Gezicht op de Chiemsee before 1899

Hugo Henneberg made this print of the Chiemsee using a process that was cutting-edge for its time. In the late 19th century, photography was rapidly evolving. It was becoming less about pure documentation, and more about artistic expression. Henneberg was a key figure in this shift, exploring how the camera could capture atmosphere and emotion. This particular print exemplifies his approach. It has soft focus and a limited tonal range. The image was likely made using a platinum or gum bichromate process, allowing for great control over the final image. The manipulation of photographic chemistry was crucial. The final result is far removed from a straight photographic record. It aligns more closely with the aesthetics of painting and drawing. Henneberg’s work reminds us that all art, even that made with machines, is the product of human skill and intention. It is a reminder of the labor and artistry involved in even the most seemingly straightforward forms of image-making.