The actors Ichikawa Yaozo lll (R) as Fuwa Banzaemon and Sakata Hangoro lll (L) as Kosodate Kannonbo 1794

This print of actors by Tōshūsai Sharaku was made using woodblocks, a quintessential example of the Japanese style known as ukiyo-e. But don’t let the familiar medium fool you. Sharaku’s works stand apart. Ukiyo-e prints were typically a commercial art form, produced through a close collaboration between the artist, block carvers, and printers. What makes this print so intriguing is the emphasis on the actor's likeness through bold lines and intense expressions. The carved lines define the actor's features and the folds of their garments. The flat planes of color emphasize their dramatic poses, with the textures of the wood grain subtly visible beneath the ink. These prints were not just aesthetic objects but also a reflection of the vibrant theater culture of Edo period Japan. They capture the energy of Kabuki performances, making them accessible to a wider audience. In this context, the artist, carver, and printer are equally important to the overall effect. By attending to the artistry, we can appreciate the depth of this exceptional, yet accessible, art form.