Twee lopende figuren en één hurkende figuur by Johan Hendrik Weissenbruch

Twee lopende figuren en één hurkende figuur 1834 - 1903

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drawing, pencil

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portrait

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drawing

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pencil

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realism

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Twee lopende figuren en één hurkende figuur," or "Two Walking Figures and One Crouching Figure," by Johan Hendrik Weissenbruch. It's a pencil drawing done sometime between 1834 and 1903 and held at the Rijksmuseum. It looks like a quick sketch, almost like the artist was capturing fleeting moments. What do you see in this piece? Curator: Well, you're right, it certainly has that "caught in the act" feel. I’m drawn to the immediacy of the lines – scratchy, raw, but somehow full of movement. Weissenbruch clearly wasn’t aiming for polished realism here. For me, it feels like a stolen glance into a private moment, perhaps Weissenbruch quickly documenting people he saw on the streets of The Hague, before street photography became so commonplace, like an exercise for something more detailed to come later. What do you make of their lack of facial features? Editor: That's interesting. I hadn't thought about it being a "stolen glance". And you're right, it doesn't have the detail you would expect. The facelessness does give them a kind of everyman quality, like they could be anyone, anywhere. Do you think it's important that he didn't include facial expressions? Curator: Absolutely! Their anonymity throws us back onto the forms themselves, doesn't it? I see it almost like music – the lines dancing across the page to create a rhythm, a feeling. We're not meant to identify with them individually, but with the overall sense of motion, or perhaps even a commentary of our own daily comings and goings unnoticed by others. Do you think Weissenbruch saw a certain poetry in everyday life that he was hoping to pass on? Editor: That makes sense! I can see the rhythm in the lines. I guess I was so focused on what was missing that I didn't appreciate what *was* there. This was a very interesting sketch! Curator: Yes, a peek into a life that becomes a meditation on existence itself, expressed in economical lines that invites us to observe everyday lives as he did. I'm off for a walk, and perhaps my own sketches will now evolve thanks to our discussion!

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