Sōma Tarō Yoshikado, from the series Ibaraki no keshin c. 1843 - 1847

Curator: This woodblock print is by Utagawa Kuniyoshi, an artist active in Japan during the 19th century. It's titled "Sōma Tarō Yoshikado, from the series Ibaraki no keshin" and is part of the collection at the Harvard Art Museums. Editor: It's…intense! The figure's expression, surrounded by those grotesque faces, creates an atmosphere of palpable dread. Curator: Kuniyoshi was known for his depictions of heroes and mythical creatures. Here, Sōma Tarō Yoshikado seems cornered by the manifestation of Ibaraki, perhaps referencing a supernatural tale or local legend. Editor: The sheer number of those reptilian eyes is unsettling. It speaks to the very real social anxieties present in folklore. Curator: I agree. Kuniyoshi’s prints often tapped into the popular imagination. The exaggerated features and dynamic composition made his work incredibly accessible. Editor: Yes, the print clearly visualizes the fears of its time. But, also, it's just a fascinating, if slightly disturbing, visual experience. Curator: Indeed. Kuniyoshi’s legacy stems from his ability to blend artistry with a shrewd understanding of his audience. Editor: So well said. It's a reminder that art can be both a mirror and a monster.