Bravissimo! 18th-19th century

Curator: This is Francisco Goya's etching "Bravissimo!" currently residing here at the Harvard Art Museums. Editor: Well, that's just wonderfully absurd. I mean, a monkey serenading a donkey with what I assume are two delighted audience members? It feels like a satire of some awful theatre performance. Curator: Precisely! Goya often used animals to critique human folly. The donkey, likely representing the aristocracy or the clergy, is praised regardless of its talent. The print reflects Goya's skepticism about power structures of his time. Editor: Yeah, there's something deliciously cynical about it. The donkey has this smug, self-satisfied look, utterly unaware of the ridiculousness of the situation. I just love how the artist's cynicism cuts through! Curator: It’s a stark reminder of the artist's critical eye during a turbulent period in Spanish history. Editor: It speaks volumes really, doesn't it? The performance isn’t important; it's the players and the system that needs a standing ovation, regardless of the merit. Curator: Indeed. It's a biting commentary that still resonates today. Editor: Agreed. I am always happy to see some humor in art.