Vaas op een voetstuk in de tuin van Versailles c. 1860 - 1880

This stereoscopic photograph by Ernest Eléonor Pierre Lamy presents a formal garden in Versailles, likely captured in the late 19th century. The composition is structured around a central axis, with classical vases elevated on pedestals punctuating the landscape. The monochromatic palette enhances the play of light and shadow, emphasizing the textures of stone, foliage and bark. The symmetry and ordered arrangement of elements evoke a sense of control and idealized nature, characteristic of French formal gardens. The use of stereoscopy invites us to consider how space is perceived and represented. It creates a three-dimensional illusion, mimicking human binocular vision. In doing so, Lamy challenges the conventional flatness of photography, engaging with broader philosophical questions about perception and the nature of reality. Consider how this photographic technique affects our understanding of form and depth. The photograph serves not only as a visual document but also as an exploration of the medium's capacity to shape our experience.