Venus Presents Cupid to  Calypso, from The Adventures of Telemachus, Book 7 by Bartolomeo Pinelli

Venus Presents Cupid to Calypso, from The Adventures of Telemachus, Book 7 1808

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drawing, print, paper, ink, charcoal

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drawing

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allegory

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narrative-art

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print

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landscape

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charcoal drawing

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figuration

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paper

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ink

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romanticism

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charcoal

Dimensions: 559 × 668 mm

Copyright: Public Domain

Curator: This print, now in the collection of the Art Institute of Chicago, is entitled "Venus Presents Cupid to Calypso," dating to 1808. It comes to us from the hand of Bartolomeo Pinelli. Editor: It strikes me first with its sepia tones, giving the scene a dreamlike, classical aura. The stark contrast in lighting guides your eye through the composition. Curator: Indeed, the light directs us toward the key figures—the maternal Venus introducing Cupid to Calypso. Pinelli uses delicate ink washes and precise charcoal lines to articulate their forms and their environment. Notice the balance of the composition, dividing it nearly in half, vertically—forest meeting the sky. Editor: Precisely. The waterfall and vegetation, symbols of Calypso's island, evoke fertility and refuge. Then we have Venus floating amidst clouds of cherubs, suggestive of ethereal love. Cupid, the go-between, also acts as something of a visual hinge. How interesting. Curator: Absolutely. Venus here presents Cupid as an emissary or perhaps even as a messenger, carrying forth the complexities inherent within the narratives we tell about love and relationships, not just romantic love but love in its broader implications as a shaper of humanity's direction through history. The linear quality overall emphasizes contours and movement, creating a narrative tableau steeped in classical and Romantic traditions. Editor: The symbolic weight is potent—a goddess, her cherubic attendants, and an idyllic backdrop, they all point towards the complexities of love and desire as depicted in Telemachus. Cupid serves not only as an allegorical figure, but also as a marker that every earthly pleasure exists only through some divine mandate or allowance. Pinelli, by rendering all figures together, acknowledges our pursuit of affection as one that includes all available powers: those found here on Earth and even those somewhere beyond it. Curator: The execution within "Venus Presents Cupid to Calypso" allows a fascinating balance between neoclassical formalism and Romantic allegory, giving both visual and historical cues that offer significant depth. Editor: Yes, viewing it, considering its careful arrangement of forms alongside the power of its symbols, grants an introspective experience on the eternal dance of affection.

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