Yamamoto Iwanojō, Son of Yamamoto Kyōshirō, as Shinoda Zuma in a Shosa Act 1747

This print was made by Torii Kiyonobu II, in Japan, using woodblock printing. The process begins with a drawing, which is then carefully transferred to a block of wood, usually cherry. The image is then carved into the wood, leaving a raised surface that will receive ink. Looking closely, you can see how the character’s robes are adorned with intricate patterns, each requiring its own block and application of ink. The texture of the paper itself, absorbent and receptive to the inks, contributes to the overall aesthetic. The production of these prints was very collaborative, involving the artist, block carver, and printer; each bringing their skill to bear. In 18th-century Japan, this division of labor reflected the growth of a sophisticated urban culture and a thriving commercial market. The relative ease with which multiples could be made meant that a wider audience could have access to art. So when you look at this print, consider not only the image, but the hands that shaped it, and the cultural forces that brought it into being.