carving, ceramic, photography
carving
worn
ceramic
photography
carved into stone
geometric
orientalism
ceramic
Dimensions: height 240 mm, width 200 mm
Copyright: Rijks Museum: Open Domain
Editor: We're looking at Isidore Kinsbergen's "Achterzijde van een beschreven Ganesha steen," likely from 1867. It’s a photograph of what seems to be a carved stone. It looks timeworn. What do you notice, things that jump out? Curator: Well, the surface is captivating. There’s such a rich tapestry of marks, not just the crisp deliberate carving, but also the subtle wearing down that whispers of the passage of time. I find myself wondering, do you think those are accidental grazes from history, or are they somehow intended as part of the object? It evokes such a strange sort of reverence. Editor: I hadn't considered that at all! What about the photograph itself, how do you think that informs how we're viewing this? Curator: That’s crucial, isn’t it? Kinsbergen is mediating our access, not only framing the artifact but almost endowing it with this ethereal, almost spiritual quality. It isn't merely documenting. This stone pulsates with memory. Almost like an old diary entry you'd find tucked away! It’s tempting to think he wanted us to feel its presence in a deeply personal way. What do you reckon? Editor: It makes me want to know what the inscription says! It's like holding half of a secret, just out of reach. Curator: Precisely. It makes me realize that even a photo of something old, can offer endless paths for interpretation. Thanks for helping me really look at this!
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