Karel II, koning van Spanje, rekenpenning geslagen op last van de raad van Financiën by Anonymous

Karel II, koning van Spanje, rekenpenning geslagen op last van de raad van Financiën 1677

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metal, engraving

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portrait

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baroque

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metal

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sculptural image

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ceramic

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history-painting

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engraving

Dimensions: diameter 3 cm, weight 5.38 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have a calculating penny, commissioned by the Council of Finances in 1677, honoring Charles II, the King of Spain. It's quite small, made of metal, and gives off a solemn air, almost weighed down by history and power. What are your first impressions? Curator: I see this "rekenpenning" not just as currency, but as a piece of political messaging carefully orchestrated. The choice of metal, the very act of minting such a coin – it’s all about solidifying power and projecting stability during a time when Spain was facing significant economic and political challenges. How do you see its display reflecting that messaging? Editor: I suppose seeing it in the Rijksmuseum puts it into conversation with other symbols of Dutch history and wealth, a tiny but tangible artifact from a complex era. Does the imagery hold any deeper significance? Curator: Absolutely. The coat of arms, the inscriptions, even the date – they’re all carefully chosen. Consider how this object, intended for financial transactions, becomes an instrument for constructing a particular narrative about Charles II's reign, specifically concerning his financial stewardship. It also represents the intricate relationship between Spain and the Dutch Republic at this point in history, reflecting power dynamics and financial interdependencies. How effective do you find this "penny" as propaganda? Editor: Well, knowing its context certainly makes it more compelling than just finding it on the street. It shows that even something as small as a coin can reflect so much more about society and power at that time. It’s certainly changed my perception of Baroque art – I typically think of huge, extravagant paintings, not something as modest as this! Curator: Exactly, and by examining these objects closely, we understand the myriad ways political and economic power translated into artistic representation, challenging our own preconceptions of that history. Editor: Thank you for helping me see this coin in an entirely different light. Curator: My pleasure. These small things truly open doors into history.

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