Revue de la Mode, Gazette de la Famille, dimanche 8 février 1880, 9e année, No. 423: Châtelaines de la Parfumerie Ninon (...) 1880

This fashion plate by A. Chaillot, was created in 1880 using engraving and stipple techniques to produce a range of colors. Our attention is drawn to the detailed rendering of textiles that define the fashions of the time. The composition is structured around three figures, each embodying distinct chromatic and textural variations. Observe how the artist uses color to differentiate the characters. To the left, somber browns convey a sense of reserved elegance. This contrasts with the central figure, adorned in delicate pinks and frills, which suggests a more whimsical affectation. The figure to the right in rich reds and elaborate patterns, adds a layer of opulence. These color variations construct a visual hierarchy. Consider how these elements intersect with the semiotics of fashion. The structured lines of each garment and the arrangement of ruffles operate as signs communicating social status and cultural values. Fashion, in this context, becomes a symbolic system that reflects broader societal structures. Chaillot's print functions both as an aesthetic object and as a cultural artifact. As an ongoing exploration of taste, value and identity, we begin to see how visual elements contribute to its dynamic meaning.