Christus verschijnt voor de laatste keer aan de apostelen by Christoffel van (II) Sichem

Christus verschijnt voor de laatste keer aan de apostelen 1629

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print, engraving

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narrative-art

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baroque

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print

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figuration

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line

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history-painting

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engraving

Dimensions: height 102 mm, width 74 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Christus verschijnt voor de laatste keer aan de apostelen," or "Christ Appearing for the Last Time to the Apostles," an engraving made in 1629 by Christoffel van (II) Sichem, currently held at the Rijksmuseum. It’s quite intricate and seems very allegorical. There are lots of little scenes embedded within the larger picture. How would you interpret this work, especially considering all these vignettes? Curator: Ah, yes. It feels a bit like gazing into a tapestry woven with faith and uncertainty, doesn’t it? See how Christ, bathed in divine light, sits amongst his apostles, almost… knowing? The surrounding circular images are really fascinating. Aren’t they, in a way, each a piece of the larger story of faith, sacrifice, and the unknown future? Do you notice how they seem to cascade downwards, drawing your eye back to Christ himself? Editor: I do see what you mean about them drawing your eye down, and there is a certain tension in their faces, so, uncertainty. Are those little circles key moments in Christian history? Like the crucifixion, ascension… Curator: Precisely. Each a touchstone, a visual reminder of Christ's journey and its resonance for them – for all of us, really. What feelings do they spark within you, seeing those events framed in that way? The composition isn’t just a recounting, but an invitation, wouldn’t you agree, to meditate on what all this means to believe? I keep getting pulled into the imagery in the upper-left—I wonder if it symbolizes faith… Editor: That’s insightful. Now that you mention the question of belief, the expressions of the apostles almost read as various stages of understanding, which is kind of moving to consider. I think I am connecting with that idea of invitation more. Curator: I'm glad to hear it. It shows you that, beyond historical and religious depiction, art speaks to us, whispers its secrets differently each time we look. Editor: Thank you. I see now the piece isn’t just about that one moment in time.

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