Dimensions: support: 1530 x 1530 mm
Copyright: © The estate of Jack Smith | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Jack Smith's, "Written Activity No. 7" from the Tate Collections. It's a large square painting, over 150 cm by 150 cm. Editor: My first thought? It looks like an alien script, all faded colours, and a soft, watery background... almost like a dream you're struggling to recall. Curator: Smith, active in New York’s underground art scene, frequently used his work to critique societal norms, particularly regarding consumerism and sexual repression. This piece can be interpreted through the lens of coded language. Editor: Coded language… I love that! It makes me think about secrets, hidden desires. It feels so intimate, like peeking at someone's diary. What was he trying to keep hidden, or reveal? Curator: Considering Smith's engagement with queer identity and his critiques of McCarthyism, the "writing" could represent a form of resistance, a way to communicate outside the constraints of dominant discourse. Editor: It's a little bit sad, though, right? Knowing that he felt the need to create in code. But then again, isn't all art a kind of secret language? Curator: Perhaps, and it allows us a means to interpret his experiences, and reflect on the continued need for spaces of radical expression. Editor: Absolutely. It makes me wonder what new languages we might need to invent to speak our truths today.
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http://www.tate.org.uk/art/artworks/smith-written-activity-no-7-t03812
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This painting is one of a series of eight works, each entitled 'Written Activity'. The series was begun in 1963, the date which Smith has said marked his dramatic break from the traditional style of his earlier work towards paintings that appear like lists or inventories. In 'Written Activity No. 7' the marks resemble hieroglyphs or ancient manuscripts, with spaces that imply pauses in sentence making, although the vocabulary cannot be deciphered. The artist often began with a sentence from a book or newspaper and would 'invent a form for each sound.' On completion of the series of paintings the artist wrote 'I seem now to be able to build up a visual written language that can deal with any experience or sensation.' Gallery label, September 2004