Self-Portrait, Medallion, No.1, 9th plate 1905

Alphonse Legros created this self-portrait medallion using etching techniques. The composition presents a profile view of the artist encased within a circle, reminiscent of classical medallions. Observe how the artist uses delicate, closely-spaced lines to build up tonal values and textures. The cross-hatching defines the contours of his face and beard, creating a sense of depth and volume. The circular format frames Legros, invoking the tradition of commemorative portraiture. This evokes the idea of the artist immortalizing himself through this medium. The inscription along the edge of the medallion, ‘PEINTRE GRAVEUR SCULPTEUR,’ declares Legros’s multifaceted artistic identity. Here, the form and content are fused. This signifies his mastery across painting, engraving, and sculpture. Consider how the tactile quality of the etching medium itself reflects the artist’s engagement with the physical processes. It not only embodies his artistic philosophy but challenges fixed notions of artistic practice and categorization.