Stoet loopt onder twee bogen door tijdens de intocht van Robert Dudley te Den Haag, 6 januari 1586 1586
print, engraving
landscape
history-painting
engraving
Dimensions: height 160 mm, width 320 mm
Copyright: Rijks Museum: Open Domain
Editor: This engraving, created by Jacob Savery I in 1586, is titled "Procession Passing Under Two Arches During the Entrance of Robert Dudley into The Hague, January 6, 1586." It’s incredible how detailed the figures are, despite their small scale! It feels almost documentary, capturing a specific historical moment. What was the social and political atmosphere that informed its creation? Curator: Excellent observation. Consider how imagery in the 16th century Netherlands played a vital role in shaping public opinion and legitimizing political power. Robert Dudley's arrival was a significant event, orchestrated to solidify English support against Spanish rule. These carefully staged entries into cities became opportunities to showcase authority. Notice how the procession is framed by these grand, almost theatrical arches. Editor: Right, the arches really monumentalize the event. I wonder, who were the intended audiences for prints like these? Were they widely circulated, or meant for a more elite viewership? Curator: That's a crucial question. Prints served multiple functions. On one level, they functioned as propaganda distributed among different levels of the social hierarchy to foster identification with English power. But also keep in mind the production and dissemination. These prints would likely have been sold to a relatively affluent segment of the population interested in political news. This piece of artwork creates an important visual record. What impact do you think printed images had on historical memory at the time? Editor: Hmm, that’s a good question. I imagine it would help standardize that memory; ensure there was a common depiction that all agreed upon and accepted. Now I am beginning to understand that this piece shows not only a historical event, but a political message constructed to influence social dynamics. Curator: Exactly! It reminds us that even seemingly straightforward depictions of events are embedded in complex webs of power. These weren’t simple news reports. Thank you, that has me thinking about the power of prints like this in that period. Editor: Definitely! Thinking about the image in this new light has provided me with invaluable insights.
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