Sanderumgaards have 8 by J.F. Clemens

Sanderumgaards have 8 1800

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aquatint, print, etching

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aquatint

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neoclassicism

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print

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etching

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landscape

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etching

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watercolor

Dimensions 152 mm (height) x 210 mm (width) (bladmaal), 114 mm (height) x 172 mm (width) (plademaal), 104 mm (height) x 167 mm (width) (billedmaal)

Curator: Today we are looking at "Sanderumgaards have 8," a print made around 1800, created using aquatint and etching, by J.F. Clemens. Editor: It evokes such tranquility, doesn't it? The serene, reflective water and muted tones create a sense of peaceful contemplation. It reminds me of a classical landscape painting. Curator: Indeed. Clemens' work reveals the means by which estates were attempting to elevate their status through constructed landscapes. Notice how this carefully manufactured idyll of nature would suggest a certain mastery over the land and, implicitly, those who labored on it. Editor: Absolutely, the way the scene is structured emphasizes a controlled, harmonious space. The verticality of the obelisk offers a strong counterpoint to the horizontal landscape. How Clemens balances light and shadow is crucial to creating a focal point. Curator: Furthermore, consider the accessibility of the "natural" scene. The waterways likely served as trade routes. Also, Clemens utilized relatively accessible printing processes of etching and aquatint, meaning prints like this could be relatively widely distributed to demonstrate the owner's influence. Editor: It is all in that meticulous, detailed rendering, wouldn't you agree? Notice the way he contrasts the refined form of the obelisk to the free-flowing nature of the landscape around it? And yet it serves as a visual anchor. Curator: And remember that paper production itself was a material process intertwined with industrial practices of the period. So, this seemingly "serene" image connects to a much broader network of resources and labor. Editor: Thinking about the landscape itself as constructed composition really adds a level of complexity to the scene. It's more than just pretty water and trees. It is Clemens playing with the symbolic language of landscape design. Curator: Absolutely. This print encapsulates so much about 18th century Danish culture through its techniques and production processes. Editor: Looking closely like this changes how I perceived its balance initially. It leaves a richer, and frankly more profound impact.

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