Inzegening van het huwelijk van prinses Juliana en prins Bernhard in de St. Jacobskerk in Den Haag, 7 januari 1937 by Erich Salomon

Inzegening van het huwelijk van prinses Juliana en prins Bernhard in de St. Jacobskerk in Den Haag, 7 januari 1937 Possibly 1937

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print, photography

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portrait

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wedding photograph

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print

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wedding photography

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archive photography

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photography

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cultural celebration

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history-painting

Dimensions height 148 mm, width 102 mm

Curator: What a moment frozen in time. Erich Salomon captured this image, likely in 1937, called "Inzegening van het huwelijk van prinses Juliana en prins Bernhard in de St. Jacobskerk in Den Haag, 7 januari 1937." A mouthful, I know, but it translates to the blessing of Princess Juliana and Prince Bernhard's marriage. The photographic print certainly speaks volumes. Editor: My first thought? It's surprisingly intimate, despite the obvious formality. There's something profoundly human about it, maybe it’s their clasped hands, capturing the weight and seriousness of a marriage blessing under the solemn eyes of onlookers. Curator: Absolutely. Salomon, a master of candid photography, manages to convey both the grand historical event and the personal significance of the moment. Look at the expressions - a sense of gravity, perhaps a touch of nervousness in their eyes. Editor: The veil, too. That shimmering veil cascading around the princess reminds me of layers of hope, expectation, and perhaps even a little bit of fear for what the future holds. Wedding veils always strike me as such potent symbols – screens and shields at the same time. It carries that cultural memory. Curator: Precisely, and the contrast with Bernhard's uniform, a symbol of duty and the state, is quite striking. Together, their outfits signify a joining of personal and national identities, as if saying “we” as an individual has become “we” for the sake of a country’s future. Editor: And the faces blurred in the background, are those dignitaries and family, I wonder? They act like silent witnesses, observers to history, their faces tell stories, too, about expectations, hopes for peace and stability during a time of immense global upheaval. Every crease and line whispers of anxieties to come. Curator: Indeed. Salomon was known for infiltrating high society events, capturing unguarded moments that official portraits often missed. Here, he delivers an insightful snapshot of power, love, and national expectation. Even though, captured on print, it transcends a mere representation of history. It’s palpable. Editor: It leaves me wondering about their individual hopes and fears on that very day. This isn't just about monarchy; it’s about two individuals stepping into an intertwined future, isn't it?

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