drawing, coloured-pencil, pastel
drawing
art-nouveau
coloured-pencil
animal
coloured pencil
pastel chalk drawing
pastel
mixed medium
Curator: The first thing that strikes me about this drawing is the absolute stillness of it. Editor: Yes, a profound sense of calm, captured beautifully in Thèophile Alexandre Steinlen’s “Cat and Her Kitten.” Executed around 1920 using pastel and colored pencil. There’s a domesticity that speaks to a specific kind of comfort, don’t you think? Curator: Absolutely, like stepping into a very warm, sleepy afternoon. The cat, a Siamese perhaps, is completely relaxed amidst these incredibly patterned cushions. There is also such gentleness in how he uses these coloured pencils. You see the lines, but then the forms just glow! Editor: Steinlen's rendering taps into this deeply embedded visual language of maternal care and domestic space, one often coded with gendered associations. This work appeared at a time of massive upheaval, during which women were increasingly active in social and political spheres. Curator: True, there's an intimacy, isn't there? I keep wanting to touch those cushions and nestle into them with the cats. It's odd because it is not super-detailed but it suggests a complete, tangible world. A haven for a mom and baby. Editor: It feels almost radical in its simplicity. Considering it within the context of Art Nouveau, we see a distinct shift away from the sometimes excessive ornamentation, turning instead towards something that prioritizes the essence of connection, of belonging. Curator: He certainly isn’t forcing drama. It reminds me of being a kid again, watching my own cats do absolutely nothing all day, every day, for years. Honestly, what did they know that I didn't? Editor: In the backdrop of increasing social and political complexity, maybe the quiet devotion between mother and kitten offers its own kind of commentary, a softer, gentler path toward progress. Curator: I’ll tell you this, those cats knew exactly where to find the best spot for a nap! Steinlen definitely captured that vibe. Editor: Exactly, Steinlen has a way of letting us see beyond the immediate picture, straight to the simple joy of living in the moment.
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