print, engraving
portrait
neoclacissism
engraving
Dimensions height 219 mm, width 168 mm
This is Pierre François Bertonnier's portrait of Pierre Carlet de Marivaux, made sometime between 1791 and 1847. As a study in institutional power, it embodies the social currency that portraiture held in 18th and 19th century France. Portraits were not simply likenesses but performative declarations of status. The visual codes here—the powdered wig, the carefully posed nonchalance, the implied wealth—speak volumes about Marivaux's position within French society. He was a prominent novelist and dramatist during the Enlightenment. The portrait captures not just his image, but also the values of the elite circles in which he moved. Consider the role of the Académie Française, which Marivaux joined later in life. An institution dedicated to preserving the French language and literary tradition, the Académie was and still is a powerful gatekeeper of culture. Bertonnier's portrait then becomes more than a picture, it's an artifact of cultural and institutional history. Understanding the social conditions and institutions of the time allows us to interpret the portrait more fully. We might consult period documents, literary criticism, and social histories to deepen our understanding.
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