Copyright: Unichi Hiratsuka,Fair Use
Curator: We're now looking at "Landscape in Izumo," a 1934 woodblock print by Unichi Hiratsuka. The composition is striking. Editor: It’s almost jarringly bright. That yellow… it almost vibrates. And those simplified shapes! There’s a beautiful bluntness to it. I feel like I’m squinting at a midday sun, even indoors. Curator: Precisely! Hiratsuka’s involvement in the sosaku-hanga movement meant he controlled every step of the printmaking process—from sketching to carving and printing. Consider how that informs the final image; how each choice reflects the artist's hand. Editor: Knowing that the artist handled every step gives it this almost tangible energy. The carving feels very deliberate, each line a commitment. Does knowing its part of ukiyo-e make that landscape a...stage somehow? Curator: The influence is clear, and interestingly, despite embracing modernism, there is still this dedication to portraying landscapes that echo traditional Japanese prints. There's a blending of old and new happening. The simplified geometric forms also create a flattening effect, nodding towards modern aesthetics. The stark contrasts highlight the labor inherent in woodblock printing. Editor: It makes me think of a memory rather than a scene. Fragments floating in that sun-drenched haze. Look at the foreground too - these are not detailed logs; they are slabs of color arranged in linear formations. The whole thing feels incredibly honest in its abstraction. Curator: The blocks themselves become protagonists in this narrative; no attempt is made to hide the marks of production, really emphasizing materiality and process. It celebrates, perhaps, industrial methods of making art more accessible. Editor: Absolutely. You almost get a sense of the artist leaning over the block, wrestling with it, not trying to replicate a scene exactly, but to distill an emotion into shapes and textures. Curator: And that dialogue between material and artistry gives "Landscape in Izumo" a quiet, powerful voice. Editor: Indeed. A memory shimmering in ink and sunlight, reminding us that even the simplest forms can hold immense feeling.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.