Diana en Actaeon 1660 - 1692

Pietro Aquila made this print, 'Diana en Actaeon', around 1650-1700, using etching. Observe how Aquila has structured the composition: the figures are organized in dynamic clusters within a natural setting, with the dark lines creating a sense of depth and movement. The contrast between light and shadow adds drama to the scene, heightening the tension of the narrative. The etcher masterfully employs line and form to convey the mythological story of Actaeon, who stumbles upon the bathing Diana and her nymphs. The artist's manipulation of line to delineate forms and create textures results in a rich visual experience, inviting viewers to delve deeper into the interplay between visibility and transgression. In particular, the tree acts as a critical structural element, framing Actaeon on the left and creating a visual barrier that emphasizes his intrusion into the sacred space of Diana and her nymphs. The composition, therefore, creates a sense of voyeurism. Ultimately, this print uses form to question what can be seen and who has the power to see it.