Ignis c. 17th century

Curator: This is "Ignis," by Michiel Mosijn, housed here at the Harvard Art Museums. It's a lively composition, full of cherubic figures and dramatic smoke. Editor: My first impression is pure baroque exuberance! It feels like a celebration, maybe a bit chaotic, but definitely full of energy. Curator: The title "Ignis," Latin for fire, hints at the core theme. We see a goddess figure enthroned above a blazing altar, while cherubs dance and make music below. Editor: I love how the fire's smoke almost mirrors the cloud on which the goddess sits. It's as if earthly passion and divine presence are reflections of each other, you know? Curator: It’s important to consider the socio-political context, however. These types of images often circulated as allegorical prints, tied to power structures and moral lessons of the time. Editor: I see it, but still, that dance of figures around the altar – it feels primal. Like a raw, unbridled expression of joy, beyond any strict moralizing. Curator: It is a beautiful demonstration of how public art can evoke a feeling of awe and wonder. Editor: And wonder, perhaps, is the best offering we can bring to any artwork, even those laden with historical weight.