Anonymous Follis of DOC Class I c. 1080

Editor: Here we have a bronze coin, an anonymous Follis. Its worn texture and dark patina give it a solemn feel. What stands out to you when you examine this piece? Curator: The primary focus resides in the interplay between the circular form of the coin and the incised figural elements. Observe how the artist utilized line and form to create discernible, albeit worn, images. Do you notice a tension between the flat surface and the suggestion of depth created by these forms? Editor: I see what you mean. The cross on one side is pretty clear, but the other side is much harder to decipher. It is almost like a puzzle of lines. Curator: Precisely. Consider the artistic choices made in the abstraction of the human figure. How does the use of simplified shapes and lines affect your interpretation of the artwork? Editor: I guess it makes me focus more on the shapes themselves rather than trying to identify who it is. It is more about the abstract structure. Curator: Precisely. Through formal analysis, we can appreciate the artistic intention and the aesthetic qualities of this anonymous work. Editor: I never thought about a coin in terms of shapes and structure, but it really brings out a new level of appreciation!