X-radiograph(s) of "Young Girl with a Marmot" 

Editor: Here we have an x-radiograph of "Young Girl with a Marmot," by Jean-Honoré Fragonard. It's fascinating to see the layers beneath the surface. What can we learn about the process from this view? Curator: This x-ray unveils the physical act of creation, emphasizing the materials and labor involved. We see the canvas support, the build-up of paint layers, and potentially earlier compositions. This challenges the notion of the artist as solely a genius, revealing the work as a product of material processes and decisions. Editor: So, you're saying it shifts the focus from the artist's inspiration to the actual making? Curator: Precisely. Examining these material choices and techniques situates the artwork within a specific historical context of production and consumption, shifting our perception of value. Editor: I hadn't considered that. Thanks for showing me a new way to think about art. Curator: My pleasure! Considering materiality opens up avenues for understanding artistic practice beyond just aesthetics.