Copyright: Rijks Museum: Open Domain
Reijer Stolk made this sketch of a machine design with graphite on paper, but no one knows exactly when. The thing I like about drawings like this is that they're all about process, right? You see every correction, every little addition. It’s like the artist is thinking out loud, and we get to listen in. Look at the lines – some are dark and sure, others are light and tentative. It's like Stolk is feeling his way through the design, adjusting and refining as he goes. And that hatching he uses for shading? It's not just about showing form; it adds a kind of texture to the drawing, a sense of depth and materiality. It reminds me of Piranesi, the way he could create these incredibly complex, almost dreamlike architectural spaces with just a few lines. Stolk's machine might be more practical, but there's a similar kind of imagination at work here. It’s not just about what the machine *is*, but what it *could* be.
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