Roman Baths, Fountain of Diana, Nimes 1844

Editor: This is William Oliver's pencil drawing, "Roman Baths, Fountain of Diana, Nimes." It's such a delicate depiction! What strikes me most is the way he uses line to suggest the grand architecture. How do you interpret this work, thinking about its production? Curator: As a materialist, I immediately consider the ready availability of graphite and paper impacting Oliver’s ability to quickly capture this location. The pencil sketch allowed a rapid, almost journalistic recording of a site that itself represents a confluence of labor and power. Editor: Journalistic? Curator: Yes. This drawing also participates in a visual economy – the commodification of the picturesque for a growing tourist market. What do you think about that? Editor: I hadn't considered that, but it makes perfect sense. Thanks for providing that context! Curator: My pleasure. Considering the materials helps to illuminate the socio-economic context of art.