Galvanoplastische reproductie van een zoutvat rustend op drie engelenkopjes before 1878

Editor: Here we have a dazzling reproduction – “Galvanoplastische reproductie van een zoutvat rustend op drie engelenkopjes,” dating from before 1878. Crafted by Elkington & Co. from brass and other metals, it lives here at the Rijksmuseum. There's something about this intricate metalwork, perched on tiny cherubic heads, that gives off both an ethereal and functional vibe. What stands out to you? Curator: Oh, my darling, where does one even begin with something as delightfully bizarre as a fancy salt cellar held up by cherubs? It is, in essence, a celebration of form, isn't it? The Renaissance was all about reclaiming classical beauty but through the tinted spectacles of religion, mind you. It’s interesting to me the marriage of something utterly quotidian – salt – with divine imagery. Almost comical. Don’t you think it’s making the salt sacred, almost? Editor: I do. But who decides something like this should be made in brass and metal? How did this choice influence how we perceive the artwork? Curator: Brass lends itself to intricacy like this. But there’s a performative element here as well. Someone of significant social standing showing off their wares... and wealth. Can you imagine seeing this displayed centuries ago in some grand manor with the candlelight dancing across the brass? Editor: It's less about seasoning, and more about showing. I see it now! This really opens your mind. Thank you. Curator: My dear, isn’t that what art’s all about?