La Mode Pratique, 1907, No. 754 : Toilette montante pour le soir (...) by Clotilde

La Mode Pratique, 1907, No. 754 : Toilette montante pour le soir (...) 1907

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drawing, print, paper, poster

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portrait

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drawing

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art-nouveau

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print

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pencil sketch

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figuration

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paper

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coloured pencil

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watercolour illustration

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poster

Dimensions height 290 mm, width 193 mm

Editor: This is an illustration from “La Mode Pratique, 1907, No. 754: Toilette montante pour le soir...”, by Clotilde, dated 1907. It seems to be a print on paper, perhaps with colored pencil or watercolor. The figure has such a dreamy, almost melancholic aura. What strikes you most about this piece? Curator: What immediately grabs my attention is how this image speaks to the evolving role of women in society at the turn of the century. It's not just about fashion; it’s a carefully constructed performance of femininity. We see this woman presented as both an object of beauty and, arguably, an agent of her own image. How does the overt display of fashion here reinforce or challenge social norms related to women’s visibility and participation in the public sphere? Editor: That's a great point. I hadn’t considered how the act of displaying fashion can be a statement. It makes me think about how women's clothing has historically been a battleground for expression and restriction. Curator: Exactly. And consider the context: art nouveau, a movement embracing organic forms, ornament and a supposedly ‘feminine’ aesthetic. Is this illustration merely reinforcing established ideas around femininity by drawing on this movement, or does the figure’s elegant bearing offer something more, hinting at individual agency within established societal frameworks? Also, what does it mean to see such attention to detail afforded to an image intended for practical use? Editor: I see what you mean! It definitely adds a layer of complexity, considering how commercial and artistic intentions intersect. This makes me reconsider the relationship between fashion, art and social commentary. Curator: Indeed. Analyzing visual culture like this gives us a lens to deconstruct not only artistic expression, but also how we engage in and understand complex gendered and historical narratives. Editor: Absolutely, I will never see fashion illustrations the same way again. Curator: And that's the power of art; to change your perspectives.

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