Rosewood Chair c. 1936

Rex F. Bush made this watercolor drawing of a Rosewood Chair, date unknown. The way Bush uses watercolor is so delicate, it’s like he’s barely touching the paper. The thin washes of brown create the form of the chair itself. There's a gentle gradation of color that suggests light falling on the wood, and this makes the object feel so tangible. Then, there’s the blue of the cushion, a soft, muted tone that feels almost velvety. Look closely and you’ll see how each stroke is laid down with intention. The way the lines taper off, suggesting depth and volume, it’s not just a chair, it’s a study in form and light. It reminds me a little of the work of Edward Hopper, that same quiet observation of everyday objects, imbued with a sense of solitude and contemplation. Ultimately, it’s a testament to the power of close looking, and how much can be revealed in the simplest of subjects.