Adam, after Michelangelo c. 19th century

Editor: Here we have "Adam, after Michelangelo," attributed to August Temmel. It's a chalk drawing of the reclining figure of Adam. The pose is so familiar, but here, alone, the figure feels vulnerable. What statements do copies like this make about the original? Curator: This work highlights the role of the academy in disseminating and standardizing artistic ideals. Copies like this were often made for study, perpetuating Michelangelo’s vision as the epitome of human form. How does knowing it's a copy influence your interpretation? Editor: I suppose it makes me think about artistic authority, and who gets to define "great art". It definitely changes how I see it. Thanks! Curator: Precisely. It reveals the politics embedded within art education and the power structures that elevate certain artists and styles above others.