Monnik onderzoekt sieraden by Jacob Gole

Monnik onderzoekt sieraden 1724

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print, engraving

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portrait

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baroque

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print

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old engraving style

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genre-painting

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engraving

Dimensions height 231 mm, width 194 mm

Editor: This engraving, titled "Monnik onderzoekt sieraden," or "Monk Examining Jewelry," by Jacob Gole, dates back to 1724. It has this sepia tone and depicts, quite literally, a monk closely inspecting some jewelry. What strikes me is the juxtaposition – the supposed piety of the monk versus the very material temptation of the jewels. What's your take? Curator: That tension is key, and opens a doorway into understanding the societal anxieties of the Baroque period. Think about the Dutch Republic at the time, navigating complex relationships between religious dogma, burgeoning mercantile wealth, and shifting class structures. This image operates as social critique, doesn’t it? Editor: Social critique... interesting! Could you expand on that? Is the artist implying something specific about the Church? Curator: Potentially, yes. Consider the monk's intense gaze – it's less about reverence and more about, perhaps, avarice? The Baroque era, for all its artistic flourish, was riddled with anxieties about the corrupting influence of wealth. Is Gole using the monk as a symbol for institutions that preach one thing while practicing another? It's a potent commentary on power, isn't it? And who ultimately benefits from these systems? Editor: So, you're saying the image is not simply a scene, but also a commentary on social issues and perhaps church hypocrisy in that era? Curator: Exactly! And remember that printmaking allowed for wider circulation of these ideas. Gole's image might have fuelled public discourse on such uncomfortable truths and invited people to discuss them in salons and even private homes, challenging existing norms and assumptions of wealth and privilege. Does the work make you question some norms, even today? Editor: Definitely. I hadn’t thought about it that way – seeing the work as a conversation starter around issues that remain so relevant today. I learned a lot about the interaction of social issues with Baroque artwork. Curator: Precisely. And hopefully, it encourages us to further investigate, and dismantle, those same oppressive systems present today.

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